• Interpol Turn On The Bright Lights Rar 3208 Download
• Bright Lights Documentary
• Bright Lights Tomorrow's Forefathers

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Best new reissue

Interpol's 2002 full-length debut is given a stellar 10th Anniversary reissue complete with demos and B-sides. All told, it makes it unequivocally clear that Turn on the Bright Lights is the sum of its players, not its influences.

On the surface, the story of Interpol's 2002 full-length debut Turn on the Bright Lights is almost annoyingly of its place and time: four guys meet in New York, start a band, make tightly-wound indie rock jams that sound great at your favorite mid-gentrification Williamsburg bar, sign to a renowned independent label, and the rest is history. But the early-aughts New York of Turn on the Bright Lights is not the young, vibrant, and impossibly cool place of cultural myth. It is a darker and more complicated place, fraught with disappointment and disconnection. It is a crushingly real place, rendered in such vivid emotional detail that it rings true even to those who have never set foot in the city. This stellar 10th Anniversary reissue documents the process by which a handful of pretty-good songs became a truly great album, making it painfully and unequivocally clear that Turn on the Bright Lights is the sum of its players, not its influences.

In retrospect, 2002 may have been the very year that we stopped talking about how music sounds, and started talking about what other music it sounds like. 'Interpol sounds like Joy Division' was one of the first critical observations to turn into a full-fledged meme. In the intervening years, other bands have sounded a whole lot more like Joy Division, and the comparison now feels like just that: a comparison. While Joy Division could channel enormous amounts of energy through Ian Curtis's intense delivery, Interpol pulled off a real magic trick by constructing a framework complex and dynamic enough to bring singer Paul Banks' inscrutable deadpan to life. Banks's words can be downright laughable on paper, and are often sung as if WRITTEN OUT IN ALL CAPS WITH NO PUNCTUATION. But from this insistent, exaggerated blankness, the band coaxed a genuinely unnerving sense of alienation and melancholy. These songs are packed with a staggering amount of rhythmic and melodic tension, sometimes amplifying minuscule expressive nuances in Banks's voice, and sometimes drawing attention to their disconcerting absence.

Each individual member of the band has his own role in piecing this puzzle together. Drummer Sam Fogarino is the perfect anchor for Carlos Dengler's busy, melodic bass lines, keeping the rhythm section forceful and grounded. Guitarist Daniel Kessler is the album's unsung hero, expanding the band's dynamic range by oscillating between wide, monolithic chords and narrow, winding leads. The album's second single 'NYC' achieves two unlikely successes pioneered by Matador labelmates Chavez: structuring a ballad around loud, steady drums and withholding all bass guitar until the chorus. 'The New' slips a disco bass line under a morass of swirling, detuned guitars. There are a lot of things about Turn on the Bright Lights that should not work, and would not work were they not so carefully thought through and artfully implemented.

Three batches of demo recordings are far and away the most interesting bonus materials on this extensive reissue, as they show just how close the album came to not working. The first three-song demo, recorded in 1998 and featuring album cuts 'PDA' and 'Roland', comes off as an unremarkable practice tape by a band with lots of good ideas but insufficient energy and chemistry to pull them all together. The second three-song demo, recorded at Brooklyn's Rare Book Room in 1999, is more worked over with decidedly mixed results; there are some jarringly tacky too-loud keyboards here, and a sing-spoken interlude that can't help but bring to mind Crazy Town's 'Butterfly'. Somewhat ironically, it is only the third and final four-song demo, recorded at the band's practice space, where Interpol stops sounding like four guys in a practice space tentatively running through busy rock songs. Much of this can be credited to Fogarino, who joined the band between their second and third tapes and brought with him a rhythmic confidence and swagger that provided the crucial missing piece of Interpol's singular sound.

This progression of demo recordings documents not only the evolution of the band's playing, but also their increasing attention to texture and ambiance. As the group grew more confident, the gritty sonics of their demos became less incidental to the songs they were making, and more a part of the songs themselves. Producer Peter Katis did an amazing job of preserving and amplifying this rawness, and the band themselves crucially revisited many elements of their demos to better suit their evolving capabilities. The slight changes that Fogarino made to the kick pattern at the beginning of 'PDA' completely make the song's signature introduction, taking it from 'oh, there's a drumbeat' to 'OH, there's THAT drumbeat.' Banks gave his lyrics a thorough tune-up before the recording the album, excising his most rhythmically formless lines and shoring up the critical interplay between his voice and the rest of the band.

The extensive liner notes here are as much about the city in which Interpol operated as the band itself. It's certainly interesting, especially for those who are up on their New York City indie rock landmarks. And while the photographs included here do a good job of documenting the physical locations where this album was born, the album itself conveys the setting in a deeper way. Suggesting that this album is simply a product of its time and place is no less naive than suggesting that anyone who has ever been in love could easily write, arrange and record an amazing love song. There were a lot of good bands in New York in 2002, but only one band made this record.

Turn On the Bright Lights is the debut studio album by American rock band Interpol, released on August 20, 2002.^[1] The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through independent record labelMatador Records.

Upon release, the record peaked at number 101 on the UK Albums Chart. It reached number 158 on the Billboard 200 in the United States, as well as spending 73 weeks on the Billboard Independent Albums chart, peaking at number five. The songs 'PDA', 'Obstacle 1' and the double a-side single 'Say Hello to the Angels' / 'NYC' were released as singles, with music videos being shot for all except 'Say Hello to the Angels'.

• 2Promotion and release
• 5Track listing

Music[edit]

In a brief interview about the fifteenth anniversary of Turn On the Bright LightsDaniel Kessler stated the albums opening track, 'Untitled' was written specifically to open the band's live shows. This leads into why the song is named 'Untitled' because the band see the song as the intro song. Paul Banks described the riff from the song as 'signature Daniel'.^[2]

Promotion and release[edit]

The release of Turn On the Bright Lights was preceded by the marketing of the band's self-titled EPInterpol in June 2002, their first release for Matador. The EP contained three tracks: radio single 'PDA', future single 'NYC', and 'Specialist'. All three tracks later appeared on the album, with 'Specialist' included as a bonus track in Australian and Japanese editions. Further promotion continued at the beginning of the following year, when the band played the 2003 NME Awards Tour alongside the Datsuns, the Polyphonic Spree and the Thrills.^[3] The song 'PDA' is featured as a playable track in 2008 video game Rock Band 2.^[4]

10th Anniversary Edition[edit]

A remastered version of the album was released in 2012 to commemorate its tenth anniversary. It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos.^[5] Many of the demo recording tracks had been previously released however the 10th Anniversary Edition also contains five unreleased demo tracks from what is dubbed 'Third Demo'.^[6]

Critical reception[edit]

Turn On the Bright Lights was released to critical acclaim. The album holds a score of 81 out of 100 from the aggregate site Metacritic based on 21 reviews, indicating 'universal acclaim'.^[7] Contemporary reviews of the album often noted Interpol's influences and drew comparisons to several other acts.^[5] Michael Chamy of The Austin Chronicle cited 'melodic Peter Hook-like basslines; the divine shoegazer textures of My Bloody Valentine and Ride; a peppy, Strokes-like bounce; and a singer who's a dead ringer for Ian Curtis.'^[18] 'It's almost as if Ian Curtis never hanged himself,' began Blender's review, with critic Jonah Weiner adding that Paul Banks' vocals channeled Curtis' 'gloomy moan.'^[19]NME's Victoria Segal called Joy Division comparisons 'obvious and unmistakable, airbourne in the ashen atmospherics,' while praising Interpol's take on the 'grey-skinned British past'.^[12]Billboard wrote that Interpol had created an 'homage to their particular vision of the '80s that stands proudly alongside the best of its idols.'^[20] Scott Seward, writing in The Village Voice, remarked: 'If I like them because they remind me of eating bad bathtub mescaline in the woods and listening to Cure singles, well, that'll do. You might like them for completely different reasons.'^[21]

Noel Murray of The A.V. Club opined that Interpol's virtue 'lies in the way its music unfurls from pinched openings to wide-open codas',^[22] while Rob Sheffield of Rolling Stone wrote that their 'sleek, melancholy sound is a thing of glacial beauty'.^[15] Eric Carr of Pitchfork argued that the band had forged their own distinct sound, 'a grander, more theatrical atmosphere with lush production that counters their frustrated bombast', praising Turn On the Bright Lights as 'one of the most strikingly passionate records I've heard this year.'^[13] However, The Village Voice's Robert Christgau, naming it 'Dud of the Month' in his Consumer Guide column, felt that Interpol 'exemplify and counsel disengagement, self-seeking, a luxurious cynicism,' downplaying Joy Division comparisons as 'too kind'.^[17]Q's lukewarm assessment of the album described it as 'predictably claustrophobic listening'.^[23]

At the end of the year, Turn On the Bright Lights featured on several publications' lists of the best albums of 2002, including those of Pitchfork, who named it the year's best album,^[24]NME, who ranked it at number ten,^[25] and Stylus Magazine, who ranked it at number five.^[26] The album placed at number 15 on The Village Voice's year-end Pazz & Jop critics' poll.^[27]

Legacy[edit]

Hailed as a seminal album of the 2000s,^{[28][29][30][31][32]}Turn On the Bright Lights has been cited as an influence on many indie rock bands, including the Killers,^[33]Editors,^[34][35]the xx,^[36]the Organ,^[37]She Wants Revenge,^[38] and others to the extent that many of these bands have been disparagingly referred to as 'Interpol clones'.^[39] Closely associated with 9/11-era New York City,^[40] the album has been seen as helping define 2000s indie rock, and Interpol have been cited as helping usher in the New York-born post-punk revival scene, along with contemporaries such as the Strokes, Yeah Yeah Yeahs, and TV on the Radio.^[41] Summing up the album's impact in a review of its 2012 re-issue, Matt LeMay of Pitchfork wrote: 'Suggesting that this album is simply a product of its time and place is no less naive than suggesting that anyone who has ever been in love could easily write, arrange and record an amazing love song. There were a lot of good bands in New York in 2002, but only one band made this record.'^[5] In 2017, the band embarked on a worldwide tour to celebrate its 15th anniversary.^[42] At the end of the decade, the album has been featured on numerous lists:

Track listing[edit]

All tracks written by Interpol.

Bonus tracks on Australian edition[edit]

• 'Specialist' – 6:39

Bonus tracks on Japanese edition[edit]

Two different versions exist. One version has the following bonus tracks:

Interpol Turn On The Bright Lights Rar 3208 Download

• 'Interlude' – 1:02
• 'Specialist' – 6:39

Bright Lights Documentary

The other version has the following bonus tracks:

• 'Hands Away' (Peel session)
• 'Obstacle 2' (Peel session)
• 'PDA' (video)
• 'NYC' (video)
• 'Obstacle 1' (video)

Bonus tracks on Mexican edition[edit]

• 'Interlude' – 1:02
• 'Specialist' – 6:39
• 'PDA' (video)
• 'NYC' (video)
• 'Obstacle 1' (video)

Personnel[edit]

Interpol

• Paul Banks – lead vocals, rhythm guitar
• Daniel Kessler – lead guitar, backing vocals
• Carlos D – bass, keyboards
• Samuel Fogarino – drums, percussion

Charts[edit]

Bright Lights Tomorrow's Forefathers

Certifications and sales[edit]

References[edit]

1. ^'Matador Records - Store'. Matador Records official website. Retrieved 19 August 2012.
2. ^InterpolVEVO (2018-05-11), Interpol - Turn on the Bright Lights XV, retrieved 2019-04-07
3. ^Kershaw, Richard (14 February 2003). 'Review / Interpol @ Astoria, 9/02/03'. Drowned in Sound. Retrieved 6 December 2009.
4. ^Snow, Jean (2008-07-14). 'The Complete Rock Band 2 Track List'. Wired. ISSN1059-1028. Retrieved 2019-03-30.
5. ^ ^abcLeMay, Matt (December 4, 2012). 'Interpol: Turn On the Bright Lights: The Tenth Anniversary Edition'. Pitchfork. Retrieved May 19, 2013.
6. ^'Buy Turn On The Bright Lights: The 10th Anniversary Edition now from store.matadorrecords.com'. Turn On The Bright Lights: The 10th Anniversary Edition by Interpol on store.matadorrecords.com. Retrieved 2019-04-07.
7. ^ ^ab'Reviews for Turn On The Bright Lights by Interpol'. Metacritic. Retrieved May 19, 2013.
8. ^Kellman, Andy. 'Turn on the Bright Lights – Interpol'. AllMusic. Retrieved September 11, 2011.
9. ^Serpick, Evan (August 23, 2002). 'Turn on the Bright Lights'. Entertainment Weekly. Retrieved May 19, 2013.
10. ^Martinez, Rebekah (March 13, 2003). 'Interpol – Turn On the Bright Lights'. Houston Chronicle. Retrieved October 16, 2016.
11. ^Bronson, Kevin (September 8, 2002). 'Interpol 'Turn on the Bright Lights' Matador'. Los Angeles Times. Retrieved October 30, 2015.
12. ^ ^abSegal, Victoria (August 17, 2002). 'Interpol: Turn On The Bright Lights'. NME: 34. ISSN0028-6362. Archived from the original on February 21, 2009. Retrieved September 11, 2011.
13. ^ ^abCarr, Eric (August 18, 2002). 'Interpol: Turn On the Bright Lights'. Pitchfork. Retrieved September 11, 2011.
14. ^Pearlman, Mischa (December 25, 2012). 'Interpol – Turn On The Bright Lights'. Record Collector (409). Retrieved October 16, 2016.
15. ^ ^abSheffield, Rob (August 14, 2002). 'Turn On The Bright Lights'. Rolling Stone. ISSN0035-791X. Retrieved September 11, 2011.
16. ^Liedel, Kevin (December 19, 2012). 'Interpol: Turn on the Bright Lights: Tenth Anniversary Edition'. Slant Magazine. Retrieved May 19, 2013.
17. ^ ^abChristgau, Robert (April 1, 2003). 'Consumer Guide: As Long As I Still Can'. The Village Voice. Retrieved September 11, 2011.
18. ^Chamy, Michael (September 6, 2002). 'Interpol: Turn On the Bright Lights (Matador)'. The Austin Chronicle. Retrieved May 19, 2013.
19. ^Weiner, Jonah (September 2002). 'Interpol: Turn On the Bright Lights'. Blender (9): 148. Archived from the original on October 25, 2004. Retrieved January 11, 2016.
20. ^'Interpol: Turn On the Bright Lights'. Billboard. September 14, 2002. Archived from the original on September 11, 2002. Retrieved May 19, 2013.
21. ^Seward, Scott (October 8, 2002). 'Romeo's Tune'. The Village Voice. Retrieved May 19, 2013.
22. ^Murray, Noel (September 9, 2002). 'Interpol: Turn On The Bright Lights'. The A.V. Club. Retrieved May 19, 2013.
23. ^'Interpol: Turn On the Bright Lights'. Q (194): 107. September 2002.
24. ^'Top 50 Albums of 2002'. Pitchfork. January 1, 2003. Retrieved September 11, 2011.
25. ^'Albums And Tracks Of The Year: 2002'. NME. Retrieved April 18, 2017.
26. ^'Stylus' 20 Favorite Albums of 2002'. Stylus Magazine. December 30, 2002. Retrieved September 11, 2011.
27. ^'The 2002 Pazz & Jop Critics Poll'. The Village Voice. February 18, 2003. Archived from the original on March 2, 2003. Retrieved September 11, 2011.
28. ^'Cap the Old Times: The Story of Interpol's Turn On the Bright Lights - Pitchfork'. pitchfork.com.
29. ^'Interpol announce Turn On the Bright Lights 15th anniversary tour'. 23 January 2017.
30. ^'13 Years Ago: Interpol Release 'Turn On the Bright Lights''. Diffuser.fm.
31. ^Zaleski, Annie. 'Interpol's Turn On The Bright Lights brought sexy back to indie rock'.
32. ^'Turn On The Bright Lights by Interpol'.
33. ^'9 things you didn't know about Interpol's 'Turn On the Bright Lights' - NME'. 24 January 2017.
34. ^Chattman, Jon (18 March 2010). 'Editors' Frontman on the New Album and Leaving the Interpol Comparison Behind'.
35. ^'Interpol: 'We Feel Sorry For Editors'. 30 July 2007.
36. ^'The xx: xx Album Review - Pitchfork'. pitchfork.com.
37. ^'The Organ: Grab That Gun Album Review - Pitchfork'. pitchfork.com.
38. ^'She Wants Revenge: She Wants Revenge Album Review - Pitchfork'. pitchfork.com.
39. ^Diehl, Matt (24 September 2013). 'My So-Called Punk: Green Day, Fall Out Boy, The Distillers, Bad Religion---How Neo-Punk Stage-Dived into the Mainstream'. St. Martin's Press – via Google Books.
40. ^'Turn On The Bright Lights Turns 10'. 17 August 2012.
41. ^'Interpol discuss rivalry with The Strokes - NME'. 30 August 2014.
42. ^'Interpol Announce European Tour for 15th Anniversary of Turn On the Bright Lights'. 23 January 2017.
43. ^'Top 100 Albums of 2000–2004'.
44. ^'Top 200 Albums of 2000s'.
45. ^'Top 50 Albums 2000–2005'.
46. ^'Top 100 Albums of 2000s'. Archived from the original on 2013-08-18. Retrieved 2010-04-01.
47. ^'Top Albums of the 00s'.
48. ^'500 Greatest Albums of All Time'.
49. ^'100 Best Albums of the Decade'.
50. ^'Top 200 Albums of the Decade'.
51. ^'Top 100 Albums of the 2000s'.
52. ^'2000-2009: Albums of the Decade'.
53. ^'Top 20 Albums of the Decade'.
54. ^'Top 100 Albums of the Decade'.
55. ^'Lescharts.com – Interpol – Turn On the Bright Lights'. Hung Medien. Retrieved April 18, 2017.
56. ^Rogers, Simon (November 19, 2009). 'NME's top 50 albums of the decade: how high did they get in the charts?'. The Guardian. Retrieved December 13, 2009.
57. ^'Interpol Chart History (Billboard 200)'. Billboard. Retrieved December 13, 2009.
58. ^'Interpol Chart History (Independent Albums)'. Billboard. Retrieved December 13, 2009.
59. ^Furniss, Olaf (6 May 2006). 'Noiselab Raises Indie Acts' Volume In Mexico'. Billboard. Retrieved 12 July 2018.
60. ^'Certificaciones' (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Retrieved 12 July 2018.Type Interpol in the box under the ARTISTA column heading and Turn On the Bright Lights in the box under TÍTULO
61. ^'British album certifications – Interpol – Turn On the Bright Lights'. British Phonographic Industry. Retrieved 12 July 2018.Select albums in the Format field.Select Gold in the Certification field.Type Turn On the Bright Lights in the 'Search BPI Awards' field and then press Enter.
62. ^Menze, Jill (13 August 2010). 'Interpol Returns To Matador For Fourth Album'. Billboard. Retrieved 12 July 2018.
63. ^'American album certifications – Interpol – Turn On the Bright Lights'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
64. ^Menze, Jill (1 May 2017). 'INTERPOL ANNOUNCES TURN ON THE BRIGHT LIGHTS 15TH ANNIVERSARY SHOWS IN NYC & LA'. Red Light Management. Retrieved 12 July 2018.

External links[edit]

• Turn On the Bright Lights at Metacritic